I'm a high school student who became an author after debuting at Dengeki Bunko. After taking a year of hiatus from school to write my work, I transferred out to another high school to study, and met a girl called Eri Nitadori in school, a rookie voice actress cast as a character in the anime adaptation of my work. In school, we treat our professions as a secret. However, Nitadori's very popular in class, and I'm a loner...the only chance we get to talk to each other is when we take the train together every Thursday, seated side by side as we head off for an anime studio. To improve her skills, she asked me questions regarding the profession. While I was answering the questions regarding the process—how did it end up like this?! This is what I last remembered before I lost consciousness, and the story of my near-death experience. (Source: Baka-Tsuki)
Kashiwagi Yukiya lives with his son Yuuto in the home he inherited from his grandparents, a mansion surrounded by flowering trees. Takanashi lives there too, a holdover from the mansion's days as a rooming house for students. Long since graduated, he stays on because it's convenient to where he works. And because he's in love with Yukiya-san, whose secrets he's determined to get to the bottom of.
This is a tale from when mankind and nature had not yet parted. In the country of Izaron, which was hidden away by an ocean of foliage, there were two princes. The child of the king, Tiokia, and his brother's child, Rukishu, spent their childhoods as "prototypes"- they were neither princes nor princesses, as was characteristic of Izaron. As time passed, Rukishu became a prince, while Tiokia stayed physically androgynous. The country became conflicted as to which should ascend the throne as they aged, and the siblings' bond was severed as a result. In this timeframe, Tiokia gets sent to a neighboring country as a hostage as ordered by Izaron's king-!
Toba and Igari start pro wrestling match immediately after the Maximum Tournament Saga.
In Edo, an oiran (high-class courtesan) joins a robber gang who steal from the rich and give to the poor. Together, they battle against the enemy who use "Eleki" (electric gadgetry and dolls) as weapons.
Marion is a young schoolboy who prides himself on his adherence to a philosophy he calls "realism". Because of his disdain for emotional display, he ignores anything remotely akin to affection But when Marion is entangled in a romantic affair with an older courtesan, his rationalism is revealed to be little more than a cover for his own emotional immaturity. Learning to love, Marion blossoms under his older lover's care but unfortunately, Marion has yet to learn the true price of the affair. Also includes: **Hot Milk wa Ikaga?** (ホットミルクはいかが?) **Mahou Tsukai no Deshi** (まほうつかいの弟子) **Yubikiri** (ゆびきり) (Source: Hakusensha, translated)
After getting very drunk, antisocial civil servant Sasagawa wakes up the next morning with a naked man sleeping next to him. Toshinari is a neighbor, with a restaurant on the first floor of their apartment building. After this shocking encounter, Toshinari tells Sasagawa that their meeting is "fate." A delicious romance between clumsy adults.
Two baby girls were born in the same hospital: one of them is the daughter of an aristocratic family while the other belongs to a depraved household which lives in the slums of the city. However, the nurse-in-charge, Michiko, secretly switches the two babies due to a personal grudge, resulting in a change of fates of the girls from then on. Many years later, the lives of the two girls continue to be intertwined with each other, with the rich Miki ill-treating the poor Nozomi, yet both of them hold similar dreams to become a singer. (Source: Anime News Network)
*Note: Published in the special 1968 New Years issue of Weekly Margaret.*
Akimoto Yuu is a shoujo mangaka, but his readership isn't that high yet which his editor would like to change. So, his editor offers up his body for use in research since "gay themes" are really popular nowadays. And sometimes? Love comes along without warning.

