A first-ever collection of Junji Ito’s artworks, featuring over 130 images from his bestselling manga titles along with rare works. This sublime collection includes all of Ito’s unforgettable illustrations in both black-and-white and color, from Tomie’s dreadful beauty to the inhuman spirals of Uzumaki. Includes an interview focused on Ito’s art technique as well as commentary from the artist on each work.

A collection of various works by NAGAI Go. This volume contains: - Ganbare Supokon-kun! [Weekly Shonen King 1972-1-16 ~ 1972-2-13] - Moretsu Gariben!! [Weekly Shonen Sunday 1973-4-22] - Harenchi Renkonman!!! [Weekly Shonen Sunday 1973-6-24] - Go! Go! Nonsense [Weekly Shonen Sunday 1970-3-22 ~ 1970-7-5] - Boy Hunter [Jogakusei no Tomo 1970-8 ~ 1970-9]

A philosophical work depicting the turbulent daily life of a downtrodden, penniless young man living in an apartment building plagued by frequent hangings. Having come to a sheer cliff to end his life, Hajime Demodori is persuaded not to die by a beautiful woman he meets while eating his last supper, and they become a couple. The next day, when Hajime wakes up, he searches for the vanished women only to find three suicide notes left behind...!?

Modeled after the Kikuzaka Hotel in Hongo, where Yumeji Takehisa lived with his girlfriend, Oha, the story is told through the eyes of Yaeko, the daughter of the owner of the Kikuzaka Hotel, who portrays the lives of such historical writers and painters.

(translated from www.mangashop.jp) Jetter of the 30th century time patrol, while chasing the criminal known as Jaguar, was accidentally transported to the 20th century. And because of a malfunction in the time machine called Ryuuseigou, Jetter is unable to return to his own time. At the request of Director Saigou, head of an international criminal investigation organization, Jetter decides to protect the peace in the 20th century by helping in criminal investigation. Meanwhile, Jaguar is also transported to the same time period via a time machine malfunction, and so the 20th century world makes contact with a nefarious villain...

A collection of stories: 01. *Fun Summer Vacation* (Tanoshiii Natsu Yasumi, 楽しーい夏休み) 02. *Fun Winter Vacation* (Tanoshiii Fuyu Yasumi, 楽しーい冬休み) 03. *Souichi's Diary of Delights* (Souichi no Tanoshiii Nikki, 双一の楽しーい日記) 04. *Souichi's Home Tutor* (Souichi no Katei Houmon, 双一の家庭訪問) 05. *Mannequin Teacher* (Nuno-sei Kyoushi, 布製教師) 06. *Souichi's Birthday* (Souichi no Tanjoubi, 双一の誕生日) 07. *Souichi's Selfish Curse* (Souichi no Katte na Noroi, 双一の勝手な呪い) 08. *The Room with Four Walls* (Shijuu Kabe no Heya, 四重壁の部屋) 09. *Coffin* (Kanoke, 棺桶) 10. *Rumours* (Uwasa, 噂) Note: Nominated the Harvey Award for Best Manga in 2024.

This is a monumental collection of gambling short stories, written by Baron Yoshimoto, known for "Jukyouden," who personally researched the world of gamblers. The protagonist of the first story, "Kurikara Monmon," Togashi Buntaro, is a young man who comes to Tokyo from a mountain village in the Tohoku region, relying on his late father's war comrades. Buntaro takes refuge in the home of Yamada Jinjiro, a member of the Yamajin family, a moneylender in Asakusa. The story takes place on the 17th of the first month in 1924, right in the middle of the Asakusa Sanja Matsuri festival. Buntaro's father was a matagi (hunter), and during the Pacific War, he returned to Japan after learning Shorinji Kempo from a Chinese monk while serving in Manchuria. His skills were said to be at a master level, and he passed them on to his only son, Buntaro. Buntaro, who understands the essence of Shorinji Kempo, never uses his physical strength even after joining a yakuza family, and gradually finds himself at odds with the Yamajin family, who lack the spirit of a gambler...

Great Mazinger starts after the defeat of Mazinger Z. Tetsuya Tsurugi is the new protagonist, piloting the powerful Great Mazinger, a creation of the once thought dead Kenzo Kabuto, the father of Koji Kabuto. This time the enemy is the Mycene Empire and its powerful robots.

A satirical series from the point of view of riots, depicting students who participated in the student movements in 1960s and 70s.