Very clever, very subtle - even when her words are very direct, Kan Takahama tackles subjects as diverse as suicide pacts, mermaids, making a porno film and bar room chat with a robust yet delicate grace. Probably the most talented mangaka to have recently emerged from Japan, Kan Takahama's art and story telling will surprise when least expected... (Source: Ponent Mon)

A kappa pines for a girl across a fence.

A oneshot from Garo 1966-07. A mysterious planet appears over Earth, bringing with it unparalleled bliss. If you can afford the space trip, that is.

A day in the life of Ultraman. (Released in the July Issue of Garo Magazine 1982)

1. Yumekura 2. Voice 3. Life & Derby 4. Futari no Himitsu (The Pair's Secret) 5. Sei no Mebae 6. Pochi to Ojou-sama 7. Atashi no Natsuyasumi 8. Akarui Kazoku Keikaku 9. Kami no Miko 10. Hen Ai 11. Binbou Kazoku Keikaku

A fish-faced scientist hears pleasant music in the distance. As the captivating melody draws him closer, he realizes its true value and decides to capture it—sending it off to a distant neighbor. (Source: MAL Rewrite)

A man with amnesia wakes up in a strange world.

A silent one-shot about an artist and his 4-koma manga.

1. Kuzu no Ichi (Trash Market) 2. Uki 3. Yoru yo Yuruyaka ni (Gently Goes the Night) 4. Tooi Natsu no Fuukei 5. Shiosai

‘Salaryman from Hell’ is the first in a collection of Ebisu’s stories entitled “The Man Who Saw Hell.” It’s about the day in the life of a normal Japanese salaryman. For the uninitiated, salarymen are an iconic figure in modern Japan, taking the role of everyman. Ebisu uses this generic salaryman figure in most of his stories. (Source: Cheap Manga)

A silent one-shot consisting of seven different stories.

A one-eyed cat goes on the lam after his company goes bankrupt.