Call of Cthulhu

The narrator, Francis Wayland Thurston, recounts his discovery of notes left behind by his grand-uncle, Brown University linguistic professor George Gammell Angell after his death in the winter of 1926–27. Among the notes is a small bas-relief sculpture of a scaly creature which yields "simultaneous pictures of an octopus, a dragon, and a human caricature." The sculptor, a Rhode Island art student named Henry Anthony Wilcox, based the work on delirious dreams of "great Cyclopean cities of titan blocks and sky-flung monoliths." Frequent references to Cthulhu and R'lyeh are found in Wilcox's papers. Angell also discovers reports of mass hysteria around the world.

What links together two bands of worshippers, one deep in the Arctic snows, one hidden in the bayous of Louisiana, is more than their shared practice of blood sacrifice. It is the inhuman phrase they both chant: Ph'nglui mglw'nafh Cthulhu R'lyeh wgah'nagl fhtagn—“In his house at R'lyeh dead Cthulhu waits dreaming.” Now these nightmares will disturb the sanity of Francis Thurston, a young man pursuing an investigation into the cult of Cthulhu that leads to the most forsaken spot in the vast Pacific…and to Earth's supreme terror, the risen corpse-city of R'lyeh. (Source: Dark Horse)