It is 1926, the first year of the Showa era. Urabe Kanoko has left her hometown after it turns against her for having the ability to hear lies when spoken. She collapses from hunger after arriving in a town called Tsukumoya, where she meets a poverty-stricken detective named Iwai Soma. Is this fate? Or something more? *Source: One Peace Books*

Due to the overwhelming success of I Hear the Sunspot, the sequel has finally arrived, I Hear the Sunspot: Theory of Happiness! How will this "more than friends, less than lovers" relationship evolve? "He can't hear...?" Because of a hearing disability Kohei is often alone. Taichi is outspoken and cheerful. At first, Kohei keeps himself well guarded, but after he meets Taichi he slowly learns to open up. (Source: One Peace Books)

Ryousuke Akiba calls himself ES, a code name taken from a mysterious scientific experiment. Ryousuke will live to be at least two centuries old and possesses strange mental powers: He can enter people's minds, discover their darkest secrets, even rearrange their memories so that complete strangers will treat him like family. Ryousuke acts not out of malice but for survival—wandering Tokyo for reasons known only to him. No one recognizes him for what he is…until Dr. Mine Kujyou, a determined researcher, meets someone who challenges everything she knows about science—ES, possessor of the Eternal Sabbath gene. But is he the only one? (Source: Del Rey)

Masato, once bitter and alone, used to spend his time wreaking havoc on other people’s happy relationships. But now he’s too busy being a homemaker with his roommate-turned-lover, Asahi. Unfortunately, their secret relationship seems to have secrets of its own, and Masato just might find himself missing the predictability of single life. Masato and Asahi went from odd-couple roommates to live-in lovers and are now enjoying their honeymoon phase to its fullest. But Masato can’t help but feel frustrated that he’s unable to share with his family and friends that Asahi is his special someone. And Asahi isn’t helping matters by acting so suspiciously! Just where is he sneaking off to?! (Source: SuBLime)

Except for her red hair, Yoko Nakajima is a typical, obedient Japanese high-school student. Her life is fairly ordinary—that is, until Keiki, a unicorn in the guise of a young blond-haired boy, tells her that she is his master and must return to their kingdom. When the boy mysteriously vanishes, Yoko is left alone, confused, and wandering through a foreign land with nothing to help protect her save a magic sword and a magic stone. When Keiki suddenly appears at Yoko’s school, little does she realize that her life is about to change. Lost in a strange land--without a map—and demons on her trail, Yoko begins her quest for both survival and self-discovery. (Source: TOKYOPOP)

Acclaimed for his visionary short-story collections The Push Man and Other Stories, Abandon the Old in Tokyo, and Good-Bye—originally created nearly forty years ago, but just as resonant now as ever—the legendary Japanese cartoonist Yoshihiro Tatsumi has come to be recognized in North America as a precursor of today’s graphic novel movement. A Drifting Life is his monumental memoir eleven years in the making, beginning with his experiences as a child in Osaka, growing up as part of a country burdened by the shadows of World War II. Spanning fifteen years from August 1945 to June 1960, Tatsumi’s stand-in protagonist, Hiroshi, faces his father’s financial burdens and his parents’ failing marriage, his jealous brother’s deteriorating health, and the innumerable pitfalls that await him in the competitive manga market of mid-twentieth-century Japan. He dreams of following in the considerable footsteps of his idol, the manga artist Osamu Tezuka (Astro Boy, Apollo’s Song, Ode to Kirihito, Buddha)—with whom Tatsumi eventually became a peer and, at times, a stylistic rival. As with his short-story collection, A Drifting Life is designed by Adrian Tomine. *Source: Drawn & Quarterly*

When the Showa Era began, Mizuki himself was just a few years old, so his earliest memories coincide with the earliest events of the Era. With his trusty narrator Rat Man, Mizuki brings history into the realm of the personal, making it palatable, and indeed compelling, for young audiences as well as more mature readers. As he describes the militarization that leads up to World War II, Mizuki’s stance toward war is thoughtful and often downright critical – his portrayal of the Nanjing Massacre clearly paints the incident (a disputed topic within Japan) as an atrocity. Mizuki’s Showa is a beautifully told history that tracks how technological developments and the country’s shifting economic stability had a role in shaping Japan’s foreign policy in the early twentieth century. (Source: Drawn & Quarterly)

The earth of the distant future is covered in thick clouds, and the sun no longer shines. Plants wither, and oxygen is thin. To fight extinction, humankind has developed a technology that turns humans into plants, providing a small amount of oxygen. Is this process sustainable? Is it ethical? Toshiro Kamiya must consider these questions as he’s faced with a difficult choice—save his family or save himself. Kamiya is at the end of his rope. His mother is ill, and his job barely pays for her medication, much less food. With few options left, he considers the life-changing process of floromorphosis. Ready to give his body up for a payday, Kamiya is about to explore the limits of society’s waning humanity. (Source: VIZ Media)

**THE MANY PATHS OF LOVE** School may be out, but for Kusakabe and Sajo, their lives together are just beginning! Will the two manage to make things work? Meanwhile, many of their friends, such as their former teacher Hara, are dealing with their own relationship drama. *Source: Seven Seas Entertainment, Vol. 5*

Makoto Misumi was an average, everyday high schooler, who found himself shipped off to another world at his parents’ whims. Upon arrival, however, he’s insulted by the Goddess for being too ugly and thrown into a desolate wasteland. He frantically searches for human warmth and connection, but can find nothing but monsters and inhuman settlers. When he finally meets companions he can trust, they turn out to be a pair of powerful perverts in a former dragon and a former giant spider! His high-octane, incredibly misfortunate trek through this foreign world has only just begun! *Source: Hanashi Media, Vol. 1*

In the deepest level of the dungeon known as the Gate of the Otherworld, Shin was locked in battle. His opponent: the final boss of THE NEW GATE, a VRMMO that had transformed into a deadly death game. After a fierce and grueling fight, Shin emerged victorious, freeing the trapped players from their digital prison. But just as relief washed over him, a mysterious door at the heart of the dungeon suddenly opened—and in the next moment, Shin lost consciousness. When he came to, what lay before him was the world of THE NEW GATE—not the game, but the real thing. *Source: Hanashi Media, Vol. 1*

What would you do if a tiger skin bikini-clad alien followed you to school every day? Poor Ataru's life has never returned to normal since volatile extraterrestrial princess Lum fell for him. Now an excruciatingly wealthy and genteel rival, Mendo, adds to Ataru's torment. Not to mention an unending stream of extraordinary classroom visitors and educational materials including incompetent cherry blossom spirits, a legendary nightmare-eating tapir, and a fourth-dimensional camera that breeches alternate realities. (Source: VIZ Media)