A masked wrestler with a gun hijackes a TV set, putting the staff and the TV station in a state of panic. A Japanese wrestler, Dan, who had decided to go to the East because the TV broadcast of professional wrestling had been cut off, offers to rescue them on the condition that the TV broadcast be restored. Who is the culprit? Includes a jidaigekiga 《Blood and Wind》and two other stories.
1. **Dilos no Houkou** (デロスの咆哮) 2. **Golgo in Sandstorm** (ゴルゴin砂嵐) 3. **Samegari** (鮫狩り) 4. **Ketsumuke no Yado** (尻むけの宿)
1. **Sabishii Hito** (さびしい人) \[Shigeru Mizuki\] 2. **Hako Makura** (はこまくら) \[Yuu Takita\] 3. **Yon Daisakka Kyousaku: Tegami** (四大作家競作・手紙) \[Shotaro Ishinomori, Fujiko Fujio A, Takao Saitou, Osamu Tezuka\] 4. **Saihate no Houmonsha** (さいはての訪問者) \[Kazuo Umezu\] 5.**Yumenohira Shirou no Seishun** (夢野平四郎の青春) \[Ryouhei Saigan\] 6. **Yamato no Haru** (大和の春) \[Kazuo Kamimura\] 7. **Kamon** (家紋) \[Tatsuhiko Yamakami\] 8. **Onna wa Sekai wo Horobosu** (女は世界を滅ぼす) \[Daijiro Morohoshi\] 9. **Asa no Youkou no Naka de** (朝の陽光の中で) \[Kenshi Hirokane\] 10. **Rikidouzan ga Yattekita** (力道山がやってきた) \[Etsumi Haruki\] 11. **Boku no Nishitetsu Lions** (ぼくの西鉄ライオンズ) \[Housei Hasegawa\] 12. **Odoru Keikan** (踊る警官) \[Naoki Urasawa\] 13. **Hoppeta no Jikan** (ほっぺたの時間) \[Kei Ichinoseki\] 14.**Oyou no Ama** (御用の尼) \[Youko Kondou\] 15. **Griffon no Tonda Hi** (グリフォンの翔んだ日) \[Satoshi Yoshida\] 16. **Shoukarou** (松華樓) \[Jiro Taniguchi\] 17. **Tenshi no Hammer** (天使のハンマー) \[Mitsuru Adachi\] 18. **Anata wo Wasurenai** (あなたを忘れない) \[Motoka Murakami\] 19. **Kawaii Hana** (可愛い花) \[Rumiko Takahashi\]
2009 marks the 50th anniversary of the founding of Gekiga Koubou, a landmark event that sparked a gekiga boom in the rental manga industry of the time and laid the foundation for the enduring popularity of youth manga and adult manga that continues to this day. To mark this occasion, our company is reissuing the first issues of *Kage* and *Machi*—pivotal publications that served as cornerstones for the development of gekiga and drove the short-story magazine boom—in a two-volume set. These reissues faithfully replicate the original binding, color schemes, and book design as closely as possible. Each set includes an explanatory booklet featuring testimonials from individuals involved at the time, bringing these works to contemporary readers. This long-awaited, precious reprint offers both general readers and researchers a chance to discover the roots of modern manga. (Source: Shogakukan, translated)