-
-
-
A young scientist working to restore a civilization destroyed centuries ago by cataclysmic war unearths a devastatingly powerful doomsday weapon—which saves her from a marauding robot, then promptly transforms into human guise, identifying her as its new master. Thanks to the input from a romance novel, this handsome anthropomorphic weapon dedicates itself body and soul to our heroine, who in turn realizes that this may be the answer to her total inability to interact with human men... (Source: Kodansha USA)
When Luce, an art dealer, first arrives in Venice for work, she sees a man standing on a wharf and gets a powerful wave of déjà vu. Trying to ignore the powerful feeling, she goes sightseeing around the city. And then she runs into the man from the wharf! He introduces himself as Michele, and when Luce states that it’s her first time in Venice, his expression fills with rage. Her day keeps getting stranger, but she manages to make it to her employer’s home—only to learn that her new employer…is Michele! (Source: Harlequin Comics)
Based on Sharon de Vita's novel "Lady and the Legend." Score one for love. A lady did not raise her voice, lose her temper, or cuss like a sailor. But after five minutes with Gator McCallister, Victoria Fairchild was guilty of all three. When her grandfather left her his prized football team, the Cannons, he hadn't warned her about its legendary coach! But the growling bear was really a gentle cub, and the business proposition he offered wasn't nearly as enticing as the kisses that turned her knees to butter. Or as delectable as the sexy man who put a dignified lady into jeans and made her happier than she'd ever dreamed! (Source: FictionDB)
Tomboy Katie Malloy was neighbor to Sean Fitzpatrick and his brothers...and effectively an adopted member of their family. Kate and Sean have spent the past two decades as best friends, supporting one another in their various relationships and life goals. Now, as they near their thirties, Sean is a successful private investigator in business with his brothers. And Katie? She wants to have a child, and she has a list of potential fathers for Sean to investigate. While Sean will investigate three potential baby daddies, he just has to know whose were the other two names that Katie struck from her list. One was his brother with whom she broke things off. The other was Sean himself. Would Sean want to be the father of Katie's child? Katie's been like a sister to him all these years, but maybe their friendship has been hiding something more... (Source: Renta!)
**Oliver is insufferable and haughty…yet Francesca can’t resist him!** As the granddaughter of a duke, Francesca is expected to proceed with an arranged marriage. But right before her wedding day, her fiancé abandons her! Unable to handle the pity and inquisitive stares of those around her, she leaves Venice and heads to England where she meets an arrogant novelist named Oliver. He shows up at her welcome party and overwhelms her with gray eyes the color of ice. Despite a horrible first impression, Francesca and Oliver end up working together on his upcoming novel… Could their working relationship become something more?
A boyfriend whose love is so strong it becomes smothering - "Sena, look only at me." - an impudently wicked underclassman - "You should just break up with that boyfriend of yours." - and the girl wavering between them on a seesaw of love! Since Sena struggles to speak her mind, her boyfriend Minoru worries and has been taking extra care to watch over her. Then one day, Sena decides to attend her school club's drinking party after Hayato, an underclassman in the same club, asks for her help.She's always turned down the parties before to avoid worrying Minoru, and the moment she tells him she's going to one, his whole demeanor suddenly changes... While she's tossed about like a ship in a storm, which man will Sena choose in the end...?! (Source: MangaPlaza)
The true story of Japan's surrender in World War II and how it nearly didn't happen! In the final days of World War II, Japan lay in ruins and the cities of Hiroshima and Nagasaki had been obliterated. A tense drama unfolds in Tokyo as Japan teeters on the edge of Armageddon. Japan's Longest Day tells the true story of the day immediately before the surrender, as a group of fanatical army officers attempt to prevent the Emperor from surrendering—an act of high treason which will inevitably result in Japan's total annihilation. (Source: Tuttle Publishing)
War of the Holy Grail - Pursuing the power of the "Holy Grail" which grants a miracle, this is a contest in which seven magi summon seven Heroic Spirits to compete for it. In that battle whose conclusion was postponed three times, now, the fourth war commenced again. Entrusting their dearest wish of victory, the magi joined the battleground called "Fuyuki", but amongst them, there was a man who was always alone, and could not find out the meaning behind his fights. His name was Kotomine Kirei. Not comprehending the guidance of fate, Kirei was lost, and had kept questioning. Why someone like his was given the Command Seals. However, the fate of his fights crossed Kirei's path with a nemesis by chance. That person is - Emiya Kiritsugu. A man who was sterner than anyone else, more merciless than anyone else, and who sought the miracle of the Holy Grail. Merely recited in fragments in Fate/Stay Night, this is the Fourth War of the Holy Grail 10 years ago. The truth which unfolded behind the battle between Shirō's foster father, Rin's father, and the younger Kotomine Kirei, is finally revealed...
A teenaged girl, who possesses the "Mystic Eyes of Death Perception", a supernatural ability that allows the user to see the "death" of everything in existence and kill the object by destroying its "origin". She recently recovered from a two-year coma caused by a traffic accident. Prior to the traffic accident, she originally had two personalities, a male personality named Shiki (織), and the original female personality Shiki (式). Children born into the Ryōgi family are generally male and are raised with two personalities, so the male personality is customarily called the "yang" personality, while the female is called the "yin" personality. It is easy to tell which Shiki is speaking at a given time because they both have a distinct style of speaking, most notably that the female Shiki refers to herself with the pronoun watashi (私), while male Shiki refers to himself as ore (オレ). After waking from her coma, Shiki discovers that she can no longer feel the male Shiki's presence and assumes that he died because of the accident. She also feels a detachment from her memories before the accident, and while she knows she is Shiki, she does not feel that she is. In the hopes of regaining herself and the "dead" Shiki, she puts on a cold façade that somewhat resembles the male Shiki's and tries to act as the female Shiki did. Tōko understands the sense of detachment Shiki feels, but considers the current Shiki a third, new personality. (Source: Wikipedia)