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A kid hears a voice and suddenly finds himself in the company of a demon!
Using Tezuka's characters, the very best artists were allowed to let loose and adapt his characters into short stories.
Keitarou, dreaming of a soulmate, meets a beautiful brown girl (?) Sun. Apparently, he'd promised to marry Sun when they were young — and it turns out he's a prince of the kingdom of Caglionia! Will they find their soulmate in each other!?
High school girl, Kanzaki Mitsuki, just got a new older brother when her mother remarries a fellow divorcée with a son. Soon after, her new step dad gets transferred overseas and her mother follows him there, leaving Mitsuki alone with her new step brother, Yuuya. Feeling abandoned by her mother, she stays distant from Yuuya, never really getting along very well with him nor even keeping a conversation with him. However, one day, Mitsuki gets visited by an angel/ghost named Hiyori who takes over her body and tries to make sexual advancements towards Yuuya. Hiyori is the lost spirit of a girl who died but can’t reach the gates of heaven and reach eternal peace. To reach heaven, Hiyori puts a belt on Mitsuki called the TST that fills up every time Mitsuki feels sexual feelings from Yuuya, whether it be from going on a date, kissing or even sex. For every time it fills up, Hiyori gains a step on a bridge that connects her current situation and the literal gates of heaven. If she wants to get rid of the annoying Hiyori, Mitsuki has to make some bold and sexy moves against her own brother, even if he is just a step brother. (Source: MangaHelpers)
Ogre Verret, the eldest son of the Verret family, a family renowned for its viciousness, is a reincarnator. He was always getting cheated in his previous life because of his kind nature, and he wants to take this opportunity to enjoy the life of a powerful villain who can do whatever he wants. He is supposed be pushing the limits of tyranny, but... *"Well done! Ogre-sama!"* Even though he is behaving in an "insolent manner,'' for some reason those around him seem to be taking it in stride...⁉ The misunderstood villain's life as a saint begins! (Source: Kadokawa, translated) *Note: Includes four extra chapters.*
These are different stories involving Devilman's world. Some are about Devilman and add to the mythology some are separate stories that don't involve Devilman but take place the same time as the events in the original Devilman manga. They are illustrated by various artists. There are some color pages in the start middle and toward the end. There are some truly amazing art and stories in these volumes. Number one is written and illustrated by Lazy Hagawari, Tatsuya Egawa, Katsuya Terada, Ken Ishikawa, Go Nagai and Shinichi Hiromoto. Number two is written and illustrated by Hitoshi Iwaaki, Noriko Nagano, Go Nagai, Akihiko Takadera and Kazuko Yumeno. Number three is written and illustrated by Noburu Miyama, Miki Toro, Shinobu Kaze, Sho-u Tajima, Masaomi Kanzaki, Yoshikazu Yasuhiko and Iou Kuroda.
Yuya is a transfer student who has been unable to adapt to a new class because of his difficulty in getting along with people and also due to a complex that he has been trying to hide. He thought he was used to being alone and was ready to live his life that way at his new school, but his charismatic classmate Keiji plans otherwise!
Bimi-san, the young lady of the Hokura Group, and Kousaku, a salaried worker of a small company, have a completely different sense of money, but they are loving couples without worrying about that. They are always happy to eat foie gras, beef bowls, high-quality yakiniku, izakaya yakitori, but as the relationship deepens, others begin to take notice? (Source: Shogakukan, translated)
Spin off of main series Senran Kagura - Shoujotachi no Shinei, it portrays the main storyline from the point of view of the snake girls, and follow their misadventures, victories, and defeats when confronting Hanzo ninja, being released in Comic Rex. Different point of view from main story line, with main actors being the snake girls with focus on their academy.
Kazao is happy with his life on Mirai ("Future") Island. Sure, his parents abandoned him after he was born, leaving him to be raised at the orphanage-like facility, but his life is comfortable and has his friends, especially the lovely Eiko, the girl he loves. One night, however, he has a horrible nightmare where he sees himself die in a motorcycle accident. After that, everything changes. The next day, his parents are miraculously "found" and he is torn from his idyllic life and Eiko's side to be thrust into a world he knows only from television shows and school assignments. Dropped unceremoniously in the middle of a city with only a sketchy map for guidance, Kazao is saved from wandering aimlessly in search of his new home by the cute and forward Yuu, who turns out to be in his class at his new school as well. Despite his best efforts to accept his parents' sudden return and Yuu's friendly overtures, Kazao can't shake the feeling that things aren't quite right. Nor can he forget Eiko. Why did his parents wait sixteen years to call him back? And why is the piano the only used piece of furniture in his parents' new house? The mysteries begin to pile one atop the other as the lies fall apart in this intriguing story of future possibilities and innocent romance.
The series ran in Weekly Shōnen Jump from 1988 to 1990 as Jungle King Tar-chan, and then from 1990 to 1995 as New Jungle King Tar-chan. It first appeared as a short prototype story in the 1986 Autumn Special as Tar-san (ターサン?). At first, the series was a simple gag manga parodying Tarzan with single chapter adventures. At this time most chapters were only 7 pages in length and were usually about Tar-chan protecting the peace of the jungle, Jane, and his animal friends, often with comedic results. After Tar-chan began, Super Jump became a monthly publication, and Tokuhiro ended Ken-chan and Chako-chan in 1990. Two years into serialization, the stories began to run 13-15 pages, New was added to the title, and the simple episodic gag premise were switched to a fighting manga premise. Although long battles and emotional development began to unfold, after the end of these battles, the series would return to its gag style, switching back to the fighting manga style with each new battle. Although the story is called Jungle King Tar-chan, Tar-chan and his friends actually live on a savanna, and a jungle setting is never actually used.